Top 10 Hip Hop Songs 2014

Hip hop is a subculture and art work movement produced by African-Americans[1] and Latinos[2] from the South Bronx in New York City during the past due 1970s. While people not really acquainted with hiphop culture often use the expression "hip hop" to send exclusively to hip hop music (also known as "rap"),[8] hiphop is characterized by from four to nine distinctive elements or expressive realms, which hip hop music is only one element. DJ Afrika Bambaataa of the hiphop collective Zulu Nation defined the pillars of hiphop culture, coining the conditions: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/audio and music creation); b-boying/b-girling/breakdancing (activity/dance); and graffiti skill, which he called "aerosol writin'" (visual fine art).[9][10][11][12][13] Other components of the hiphop subculture and arts movements beyond the key four are: hip hop culture and historical understanding of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; streets entrepreneurship; African-American language and slang; and hip hop fashion and style, among others.The South Bronx hiphop scene emerged in the 1970s from neighbourhood stop parties tossed by the Ghetto Brothers, a Puerto Rican group that has been described as being a gang, a team, and a group. Participants of the world plugged in the amplifiers for his or her devices and PA speakers in to the lampposts on 163rd Neighborhood and Potential customer Avenue and used their live music occurrences to break down racial barriers between African-Americans, Puerto Ricans and other ethnic categories. Jamaican immigrant DJ Kool Herc also performed an integral role in developing hip hop music. At 1520 Sedgwick Avenue, Herc combined samples of existing data and DJed percussion "breaks", combining this music along with his own Jamaican-style "toasting" (a method of chanting and boastful communicating over a mike) to rev the group and dancers. Kool Herc is acknowledged as the "father" of hip hop for developing the key DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small servings of melodies emphasizing a percussive style) on two turntables. This is later accompanied by "rapping" or "MCing", a rhythmic design of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal technique used to make beats to go along with an MC or rappers' rhymes.[citation needed] A genuine form of dancing called breakdancing, which later became accompanied by popping, locking and other boogie moves, which was done to the accompaniment of hip hop songs enjoyed on boom containers and particular varieties of hip hop dress and locks also developed.

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Fine art historian Robert Farris Thompson explains the children from the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Adobe flash, "black colored Jamaicans" like DJ Kool Herc who presented the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the may seem of Tito Puente and Willie Col?n. These youths blended these influences with existing musical styles associated with African People in the usa before the 1970s, from jazz to funk .[1] Hiphop music became popular beyond the African-American community in the late 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate described the hip hop activity as "the one avant-garde still around, still providing [a] great shock" of newness to the prosperous bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was a former person in the Zulu Region, carved the term "Six components of the Hip Hop Movements". The "Six Elements of the Hip Hop Movement" are: Consciousness Awareness, Civil Protection under the law Awareness, Activism Recognition, Justice, Political Recognition, and Community Awareness in music. Ronald Savage is known as the Son in the Hip Hop Movements. Hip MAY BE THE Culture and Hop may be the Movement[18][19][20]Hip hop culture has disperse to both metropolitan and suburban areas throughout the United States and subsequently the world.[21] These elements were designed and developed significantly, particularly as the fine art forms distributed to new continents and merged with local styles in the 1990s and following decades. Even while the movement is constantly on the expand globally and explore myriad styles and art work forms, including hiphop theater and hiphop film, the four foundational elements provide coherence and a strong foundation for hiphop culture.[4] Hiphop is simultaneously a fresh and old phenomenon; the value of sampling songs, beats and basslines from old data to the talent means that a lot of the culture has revolved around the idea of updating traditional recordings, behaviour, and activities for modern people. Sampling aged culture and re-using it in a new context or a fresh format is named "flipping" in hiphop culture. Hip hop music comes after in the footsteps of preceding African-American-rooted musical styles such as blues, jazz, rag-time, funk, and disco to become one of the very most practiced styles worldwide. Inside the 2000s, with the rise of new multimedia platforms and Blogging platforms 2.0, enthusiasts learned and downloaded or streamed hiphop music through sociable networking sites (SNS) beginning with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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