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Hip hop is a subculture and art movement developed by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the later 1970s. While people unfamiliar with hip hop culture often use the appearance "hip hop" to refer exclusively to hiphop music (also known as "rap"),[8] hip hop is seen as a from four to nine distinctive elements or expressive realms, of which hiphop music is only one element. DJ Afrika Bambaataa of the hip hop collective Zulu Land outlined the pillars of hip hop culture, coining the conditions: "rapping" (also known as MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/audio and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti fine art, which he called "aerosol writin'" (visual skill).[9][10][11][12][13] Other components of the hiphop subculture and arts movements beyond the primary four are: hip hop culture and historical understanding of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; streets entrepreneurship; African-American terminology and slang; and hiphop fashion and style, amongst others.The South Bronx hip hop scene surfaced in the 1970s from neighbourhood block parties thrown by the Ghetto Brothers, a Puerto Rican group that is described as being a gang, a club, and a group. People of the landscape plugged in the amplifiers for his or her instruments and PA audio speakers in to the lampposts on 163rd Block and Potential customer Avenue and used their live music occurrences to breakdown racial obstacles between African-Americans, Puerto Ricans and other cultural groups. Jamaican immigrant DJ Kool Herc also enjoyed a key role in producing hip hop music. At 1520 Sedgwick Avenue, Herc blended examples of existing details and DJed percussion "breaks", mixing this music with his own Jamaican-style "toasting" (a style of chanting and boastful conversing over a microphone) to rev the masses and dancers. Kool Herc is acknowledged as the "father" of hiphop for developing the main element DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small servings of music emphasizing a percussive routine) on two turntables. This was later combined with "rapping" or "MCing", a rhythmic design of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal technique used to build beats to go with an MC or rappers' rhymes.[citation needed] An original form of dancing called breakdancing, which later became accompanied by popping, locking and other boogie moves, which was done to the accompaniment of hip hop songs enjoyed on boom boxes and particular styles of hip hop dress and hair also developed.

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Art work historian Robert Farris Thompson details the junior from the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Display, "black color Jamaicans" like DJ Kool Herc who released the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the noises of Tito Puente and Willie Col?n. These youths blended these influences with existing musical styles associated with African Americans prior to the 1970s, from jazz to funk .[1] Hip hop music became popular beyond the African-American community in the late 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate explained the hiphop motion as "the one avant-garde still around, still delivering [a] distress" of newness to the prosperous bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was simply a former member of the Zulu Land, carved the term "Six elements of the HIPHOP Movements". The "Six Components of the HIPHOP Motion" are: Consciousness Awareness, Civil Rights Awareness, Activism Understanding, Justice, Political Awareness, and Community Understanding in music. Ronald Savage is recognized as the Son in the Hip Hop Motion. Hip MAY BE THE Culture and Hop may be the Movement[18][19][20]Hip hop culture has disperse to both urban and suburban areas throughout america and subsequently the earth.[21] These elements were designed and developed substantially, especially as the artwork forms pass on to new continents and merged with local styles in the 1990s and following decades. Even while the movement is constantly on the expand globally and explore myriad styles and skill forms, including hiphop theater and hiphop film, the four foundational elements provide coherence and a solid foundation for hiphop culture.[4] Hip hop is simultaneously a new and old sensation; the importance of sampling tracks, beats and basslines from old data to the talent means that a lot of the culture has revolved around the idea of updating basic recordings, attitudes, and experiences for modern audiences. Sampling more mature culture and re-using it in a fresh context or a fresh format is named "flipping" in hiphop culture. Hip hop music comes after in the footsteps of preceding African-American-rooted musical genres such as blues, jazz, rag-time, funk, and disco to be one of the very most practiced genres worldwide. Within the 2000s, with the go up of new media platforms and Blogging platforms 2.0, admirers found out and downloaded or streamed hiphop music through public networking sites (SNS) you start with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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