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Hip hop is a subculture and art movement developed by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the late 1970s. While people unfamiliar with hip hop culture often use the appearance "hip hop" to send exclusively to hiphop music (also called "rap"),[8] hip hop is characterized by from four to nine unique elements or expressive realms, which hiphop music is merely one factor. DJ Afrika Bambaataa of the hip hop collective Zulu Region specified the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/audio and music creation); b-boying/b-girling/breakdancing (motion/dance); and graffiti artwork, which he called "aerosol writin'" (visual fine art).[9][10][11][12][13] Other elements of the hiphop subculture and arts movements beyond the primary four are: hip hop culture and historical understanding of the activity (intellectual/philosophical); beatboxing, a percussive vocal style; block entrepreneurship; African-American words and slang; and hip hop fashion and style, amongst others.The South Bronx hiphop scene surfaced in the 1970s from neighbourhood stop parties thrown by the Ghetto Brothers, a Puerto Rican group that is described as being truly a gang, a golf club, and a group. Members of the arena plugged in the amplifiers because of their equipment and PA sound system into the lampposts on 163rd Streets and Potential client Avenue and used their live music events to break down racial obstacles between African-Americans, Puerto Ricans and other cultural organizations. Jamaican immigrant DJ Kool Herc also enjoyed a key role in growing hip hop music. At 1520 Sedgwick Avenue, Herc combined examples of existing documents and DJed percussion "breaks", mixing this music along with his own Jamaican-style "toasting" (a method of chanting and boastful speaking over a microphone) to rev the masses and dancers. Kool Herc is credited as the "daddy" of hiphop for developing the key DJ techniques that, along with rapping, founded the hip hop music style by creating rhythmic beats by looping "breaks" (small servings of tunes emphasizing a percussive style) on two turntables. This is later accompanied by "rapping" or "MCing", a rhythmic style of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal strategy used to create beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dance called breakdancing, which later became combined with popping, locking and other boogie moves, which was done to the accompaniment of hiphop songs played on boom containers and particular styles of hiphop dress and hair also developed.

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Artwork historian Robert Farris Thompson describes the youth from the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Flash, "black color Jamaicans" like DJ Kool Herc who launched the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the looks of Tito Puente and Willie Col?n. These youths blended these influences with existing musical styles associated with African People in america prior to the 1970s, from jazz to funk .[1] Hiphop music became popular outside of the African-American community in the past due 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate identified the hiphop movement as "the only real avant-garde still around, still providing [a] surprise" of newness to the prosperous bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was simply a former member of the Zulu Land, carved the word "Six elements of the Hip Hop Movements". The "Six Elements of the Hip Hop Activity" are: Awareness Awareness, Civil Rights Awareness, Activism Recognition, Justice, Political Recognition, and Community Consciousness in music. Ronald Savage is recognized as the Son with the Hip Hop Movements. Hip MAY BE THE Culture and Hop is The Movement[18][19][20]Hiphop culture has propagate to both urban and suburban neighborhoods throughout the United States and subsequently the entire world.[21] These elements were adapted and developed considerably, particularly as the fine art forms spread to new continents and merged with local styles in the 1990s and subsequent decades. Even as the movement continues to expand internationally and explore myriad styles and artwork forms, including hip hop theater and hip hop film, the four foundational elements provide coherence and a strong foundation for hiphop culture.[4] Hip hop is simultaneously a new and old happening; the importance of sampling tracks, beats and basslines from old details to the art form means that a lot of the culture has revolved around the idea of updating classic recordings, behaviour, and experience for modern followers. Sampling elderly culture and re-using it in a new context or a new format is called "flipping" in hiphop culture. Hip hop music comes after in the footsteps of previous African-American-rooted musical styles such as blues, jazz, rag-time, funk, and disco to be one of the very most practiced genres worldwide. Inside the 2000s, with the rise of new press platforms and Web 2 2.0, followers learned and downloaded or streamed hip hop music through social networking sites (SNS) you start with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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