New Hip Hop RnB Urban Club Music Mix 2016 CLUB MUSIC www.JuseBeats

Hip hop is a subculture and art work movement developed by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the past due 1970s. While people unfamiliar with hip hop culture often use the manifestation "hip hop" to refer exclusively to hiphop music (also called "rap"),[8] hip hop is characterized by from four to nine distinctive elements or expressive realms, of which hiphop music is merely one aspect. DJ Afrika Bambaataa of the hip hop collective Zulu Country defined the pillars of hip hop culture, coining the terms: "rapping" (also known as MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (motion/dance); and graffiti art, which he called "aerosol writin'" (visual art).[9][10][11][12][13] Other components of the hiphop subculture and arts motion beyond the main four are: hiphop culture and historical understanding of the movements (intellectual/philosophical); beatboxing, a percussive vocal style; block entrepreneurship; African-American dialect and slang; and hiphop fashion and style, amongst others.The South Bronx hip hop scene surfaced in the 1970s from neighbourhood stop parties tossed by the Ghetto Brothers, a Puerto Rican group that has been described as being truly a gang, a team, and a group. Members of the field connected in the amplifiers for their tools and PA audio system in to the lampposts on 163rd Neighborhood and Prospect Avenue and used their live music occurrences to break down racial obstacles between African-Americans, Puerto Ricans and other ethnic groupings. Jamaican immigrant DJ Kool Herc also performed a key role in expanding hip hop music. At 1520 Sedgwick Avenue, Herc merged examples of existing files and DJed percussion "breaks", mixing this music with his own Jamaican-style "toasting" (a method of chanting and boastful communicating over a mike) to rev up the crowd and dancers. Kool Herc is acknowledged as the "daddy" of hip hop for developing the key DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small servings of melodies emphasizing a percussive structure) on two turntables. This was later accompanied by "rapping" or "MCing", a rhythmic design of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal approach used to produce beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dancing called breakdancing, which later became associated with popping, locking and other boogie moves, that was done to the accompaniment of hip hop songs played out on boom boxes and particular styles of hip hop dress and head of hair also developed.

20 Best HipHop Albums of 2013 Rolling Stone

Artwork historian Robert Farris Thompson details the youngsters from the South Bronx in the first 1970s as "English-speaking blacks from Barbados" like Grandmaster Adobe flash, "dark colored Jamaicans" like DJ Kool Herc who released the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the may seem of Tito Puente and Willie Col?n. These youths blended these affects with existing musical styles associated with African Americans prior to the 1970s, from jazz to funk .[1] Hip hop music became popular beyond the African-American community in the past due 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate identified the hiphop movements as "the only avant-garde still around, still delivering [a] surprise" of newness to the rich bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was a former member of the Zulu Country, carved the word "Six components of the HIPHOP Activity". The "Six Components of the Hip Hop Motion" are: Consciousness Awareness, Civil Rights Awareness, Activism Consciousness, Justice, Political Consciousness, and Community Awareness in music. Ronald Savage is recognized as the Son of The Hip Hop Movements. Hip Is The Culture and Hop may be the Movement[18][19][20]Hiphop culture has disperse to both metropolitan and suburban areas throughout the United States and subsequently the world.[21] These elements were modified and developed noticeably, specifically as the art work forms propagate to new continents and merged with local styles in the 1990s and subsequent decades. Even as the movement continues to expand globally and explore myriad styles and fine art forms, including hip hop theater and hiphop film, the four foundational elements provide coherence and a strong foundation for hiphop culture.[4] Hip hop is simultaneously a fresh and old happening; the value of sampling monitors, beats and basslines from old details to the talent means that much of the culture has revolved around the idea of updating typical recordings, attitudes, and activities for modern people. Sampling more aged culture and re-using it in a new context or a fresh format is named "flipping" in hiphop culture. Hiphop music employs in the footsteps of earlier African-American-rooted musical styles such as blues, jazz, rag-time, funk, and disco to be one of the very most practiced genres worldwide. Inside the 2000s, with the climb of new press platforms and Blogging platforms 2.0, fans discovered and downloaded or streamed hiphop music through social networking sites (SNS) you start with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

Hip Hop Unlimited : Best Songs Of 2016