Hip hop is a subculture and fine art movement produced by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the later 1970s. While people unfamiliar with hiphop culture often use the appearance "hip hop" to refer exclusively to hip hop music (also known as "rap"),[8] hiphop is characterized by anywhere from four to nine particular elements or expressive realms, which hip hop music is only one element. DJ Afrika Bambaataa of the hip hop collective Zulu Country outlined the pillars of hip hop culture, coining the terms: "rapping" (also known as MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/audio and music creation); b-boying/b-girling/breakdancing (motion/dance); and graffiti art, which he called "aerosol writin'" (visual art).[9][10][11][12][13] Other components of the hiphop subculture and arts activity beyond the primary four are: hip hop culture and historical understanding of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; African-American vocabulary and slang; and hiphop fashion and style, among others.The South Bronx hiphop scene emerged in the 1970s from neighbourhood block parties thrown by the Ghetto Brothers, a Puerto Rican group that has been described as being truly a gang, a golf club, and a music group. Associates of the scene connected in the amplifiers for their musical instruments and PA audio system in to the lampposts on 163rd Neighborhood and Possibility Avenue and used their live music occasions to breakdown racial barriers between African-Americans, Puerto Ricans and other cultural organizations. Jamaican immigrant DJ Kool Herc also played out a key role in expanding hip hop music. At 1520 Sedgwick Avenue, Herc merged examples of existing records and DJed percussion "breaks", mixing up this music with his own Jamaican-style "toasting" (a style of chanting and boastful discussing over a microphone) to rev in the audience and dancers. Kool Herc is acknowledged as the "dad" of hiphop for developing the key DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small portions of tracks emphasizing a percussive style) on two turntables. This was later accompanied by "rapping" or "MCing", a rhythmic style of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal strategy used to make beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dance called breakdancing, which later became accompanied by popping, locking and other party moves, that was done to the accompaniment of hip hop songs performed on boom boxes and particular varieties of hiphop dress and scalp also developed.
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Art work historian Robert Farris Thompson details the youngsters from the South Bronx in the first 1970s as "English-speaking blacks from Barbados" like Grandmaster Flash, "dark colored Jamaicans" like DJ Kool Herc who introduced the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as much who emulated the looks of Tito Puente and Willie Col?n. These youths put together these influences with existing musical styles associated with African People in the usa prior to the 1970s, from jazz to funk .[1] Hip hop music became popular outside of the African-American community in the past due 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate identified the hiphop movement as "the sole avant-garde still around, still providing [a] shock" of newness to the prosperous bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was simply a former member of the Zulu Land, carved the term "Six elements of the HIPHOP Motion". The "Six Components of the HIPHOP Movements" are: Awareness Awareness, Civil Rights Awareness, Activism Awareness, Justice, Political Understanding, and Community Awareness in music. Ronald Savage is recognized as the Son of The Hip Hop Movement. Hip Is The Culture and Hop may be the Movement[18][19][20]Hip hop culture has pass on to both urban and suburban areas throughout the United States and subsequently the earth.[21] These elements were adapted and developed substantially, particularly as the art work forms multiply to new continents and merged with local styles in the 1990s and succeeding decades. Even as the movement is constantly on the expand internationally and explore myriad styles and fine art forms, including hiphop theater and hiphop film, the four foundational elements provide coherence and a strong foundation for hiphop culture.[4] Hiphop is simultaneously a new and old happening; the value of sampling paths, beats and basslines from old files to the talent means that much of the culture has revolved around the thought of updating traditional recordings, attitudes, and encounters for modern viewers. Sampling older culture and re-using it in a fresh context or a fresh format is called "flipping" in hiphop culture. Hiphop music employs in the footsteps of early African-American-rooted musical genres such as blues, jazz, rag-time, funk, and disco to become one of the very most practiced genres worldwide. Within the 2000s, with the climb of new media platforms and Blogging platforms 2.0, admirers uncovered and downloaded or streamed hiphop music through public networking sites (SNS) you start with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.
Hip Hop Unlimited : Best Songs Of 2016
Related : Hip Hop Unlimited : Best Songs Of 2016
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