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Hip hop is a subculture and artwork movement produced by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the later 1970s. While people unfamiliar with hip hop culture often use the manifestation "hip hop" to send exclusively to hip hop music (also known as "rap"),[8] hip hop is characterized by anywhere from four to nine particular elements or expressive realms, which hiphop music is merely one aspect. DJ Afrika Bambaataa of the hip hop collective Zulu Nation discussed the pillars of hiphop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movements/dance); and graffiti artwork, which he called "aerosol writin'" (visual skill).[9][10][11][12][13] Other elements of the hip hop subculture and arts motion beyond the key four are: hiphop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; block entrepreneurship; African-American words and slang; and hiphop fashion and style, amongst others.The South Bronx hiphop scene surfaced in the 1970s from neighbourhood stop parties thrown by the Ghetto Brothers, a Puerto Rican group that is described as being a gang, a golf club, and a group. Participants of the landscape plugged in the amplifiers for their equipment and PA loudspeakers into the lampposts on 163rd Street and Prospect Avenue and used their live music occasions to break down racial barriers between African-Americans, Puerto Ricans and other cultural teams. Jamaican immigrant DJ Kool Herc also played an integral role in developing hip hop music. At 1520 Sedgwick Avenue, Herc merged examples of existing files and DJed percussion "breaks", blending this music along with his own Jamaican-style "toasting" (a method of chanting and boastful speaking over a microphone) to rev up the public and dancers. Kool Herc is acknowledged as the "daddy" of hiphop for developing the key DJ techniques that, along with rapping, founded the hip hop music style by creating rhythmic beats by looping "breaks" (small portions of melodies emphasizing a percussive design) on two turntables. This is later associated with "rapping" or "MCing", a rhythmic design of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal strategy used to make beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dance called breakdancing, which later became combined with popping, locking and other dance moves, which was done to the accompaniment of hip hop songs played out on boom boxes and particular varieties of hip hop dress and head of hair also developed.

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Skill historian Robert Farris Thompson describes the young ones from the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Flash, "african american Jamaicans" like DJ Kool Herc who presented the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the noises of Tito Puente and Willie Col?n. These youths put together these influences with existing musical styles associated with African People in america prior to the 1970s, from jazz to funk .[1] Hiphop music became popular outside of the African-American community in the overdue 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate defined the hiphop movement as "the sole avant-garde still around, still delivering [a] shock" of newness to the wealthy bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was simply a former member of the Zulu Region, carved the term "Six components of the HIPHOP Movements". The "Six Components of the Hip Hop Motion" are: Awareness Awareness, Civil Protection under the law Awareness, Activism Consciousness, Justice, Political Awareness, and Community Consciousness in music. Ronald Savage is known as the Son with the Hip Hop Movements. Hip MAY BE THE Culture and Hop may be the Movement[18][19][20]Hip hop culture has pass on to both urban and suburban areas throughout the United States and subsequently the planet.[21] These elements were modified and developed significantly, specifically as the art work forms propagate to new continents and merged with local styles in the 1990s and following decades. Even while the movement continues to expand globally and explore myriad styles and artwork forms, including hip hop theater and hiphop film, the four foundational elements provide coherence and a strong foundation for hip hop culture.[4] Hiphop is simultaneously a new and old trend; the importance of sampling songs, beats and basslines from old data to the art form means that much of the culture has revolved around the thought of updating typical recordings, attitudes, and encounters for modern audiences. Sampling old culture and re-using it in a fresh context or a new format is named "flipping" in hip hop culture. Hip hop music employs in the footsteps of preceding African-American-rooted musical genres such as blues, jazz, rag-time, funk, and disco to be one of the very most practiced styles worldwide. Within the 2000s, with the rise of new press platforms and Web 2 2.0, followers discovered and downloaded or streamed hip hop music through communal networking sites (SNS) beginning with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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