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Hip hop is a subculture and art movement developed by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the overdue 1970s. While people not really acquainted with hiphop culture often use the expression "hiphop" to refer exclusively to hiphop music (also known as "rap"),[8] hiphop is seen as a from four to nine unique elements or expressive realms, of which hiphop music is only one component. DJ Afrika Bambaataa of the hiphop collective Zulu Nation defined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art work, which he called "aerosol writin'" (visual skill).[9][10][11][12][13] Other components of the hip hop subculture and arts movements beyond the key four are: hip hop culture and historical knowledge of the movements (intellectual/philosophical); beatboxing, a percussive vocal style; avenue entrepreneurship; African-American language and slang; and hiphop fashion and style, among others.The South Bronx hip hop scene emerged in the 1970s from neighbourhood block parties thrown by the Ghetto Brothers, a Puerto Rican group that has been described as being a gang, a team, and a music group. People of the arena plugged in the amplifiers for their tools and PA audio system into the lampposts on 163rd Neighborhood and Potential customer Avenue and used their live music occasions to breakdown racial barriers between African-Americans, Puerto Ricans and other ethnic groups. Jamaican immigrant DJ Kool Herc also performed a key role in producing hiphop music. At 1520 Sedgwick Avenue, Herc blended examples of existing records and DJed percussion "breaks", combining this music with his own Jamaican-style "toasting" (a method of chanting and boastful conversing over a mike) to rev the group and dancers. Kool Herc is credited as the "father" of hip hop for developing the main element DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small helpings of music emphasizing a percussive structure) on two turntables. This was later associated with "rapping" or "MCing", a rhythmic design of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal approach used to make beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dancing called breakdancing, which later became accompanied by popping, locking and other boogie moves, that was done to the accompaniment of hiphop songs enjoyed on boom containers and particular varieties of hip hop dress and wild hair also developed.

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Art historian Robert Farris Thompson identifies the junior from the South Bronx in the early 1970s as "English-speaking blacks from Barbados" like Grandmaster Adobe flash, "black colored Jamaicans" like DJ Kool Herc who released the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the does sound of Tito Puente and Willie Col?n. These youths mixed these affects with existing musical styles associated with African People in the usa prior to the 1970s, from jazz to funk .[1] Hiphop music became popular outside of the African-American community in the past due 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate detailed the hip hop movement as "the sole avant-garde still around, still providing [a] surprise" of newness to the wealthy bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was simply a former member of the Zulu Country, carved the word "Six elements of the HIPHOP Movements". The "Six Elements of the HIPHOP Activity" are: Consciousness Awareness, Civil Rights Awareness, Activism Understanding, Justice, Political Consciousness, and Community Recognition in music. Ronald Savage is known as the Son of this Hip Hop Motion. Hip Is The Culture and Hop may be the Movement[18][19][20]Hiphop culture has propagate to both metropolitan and suburban areas throughout america and subsequently the globe.[21] These elements were adapted and developed noticeably, especially as the fine art forms pass on to new continents and merged with local styles in the 1990s and following decades. Even while the movement continues to expand globally and explore myriad styles and art forms, including hip hop theater and hiphop film, the four foundational elements provide coherence and a strong foundation for hip hop culture.[4] Hiphop is simultaneously a fresh and old phenomenon; the value of sampling paths, beats and basslines from old details to the art form means that a lot of the culture has revolved around the thought of updating common recordings, behaviour, and encounters for modern viewers. Sampling older culture and re-using it in a new context or a new format is called "flipping" in hip hop culture. Hiphop music employs in the footsteps of preceding African-American-rooted musical genres such as blues, jazz, rag-time, funk, and disco to become one of the very most practiced genres worldwide. In the 2000s, with the climb of new media platforms and Web 2 2.0, enthusiasts discovered and downloaded or streamed hip hop music through public networking sites (SNS) beginning with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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