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Hip hop is a subculture and fine art movement developed by African-Americans[1] and Latinos[2] from the South Bronx in NEW YORK during the later 1970s. While people unfamiliar with hip hop culture often use the manifestation "hip hop" to send exclusively to hip hop music (also called "rap"),[8] hiphop is seen as a from four to nine different elements or expressive realms, which hiphop music is only one factor. DJ Afrika Bambaataa of the hip hop collective Zulu Country defined the pillars of hiphop culture, coining the terms: "rapping" (also known as MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/audio and music creation); b-boying/b-girling/breakdancing (movements/dance); and graffiti fine art, which he called "aerosol writin'" (visual art work).[9][10][11][12][13] Other elements of the hiphop subculture and arts movements beyond the key four are: hiphop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; neighborhood entrepreneurship; African-American language and slang; and hiphop fashion and style, amongst others.The South Bronx hip hop scene emerged in the 1970s from neighbourhood block parties tossed by the Ghetto Brothers, a Puerto Rican group that is described as being a gang, a club, and a music group. Customers of the field connected in the amplifiers because of their instruments and PA sound system into the lampposts on 163rd Neighborhood and Possibility Avenue and used their live music events to break down racial obstacles between African-Americans, Puerto Ricans and other ethnic groups. Jamaican immigrant DJ Kool Herc also played out a key role in growing hip hop music. At 1520 Sedgwick Avenue, Herc merged examples of existing files and DJed percussion "breaks", mixing up this music along with his own Jamaican-style "toasting" (a style of chanting and boastful speaking over a microphone) to rev the masses and dancers. Kool Herc is credited as the "father" of hiphop for developing the key DJ techniques that, along with rapping, founded the hiphop music style by creating rhythmic beats by looping "breaks" (small servings of tunes emphasizing a percussive routine) on two turntables. This is later associated with "rapping" or "MCing", a rhythmic style of chanting or speaking poetry/lyrics, and beatboxing, a percussive vocal technique used to create beats to go along with an MC or rappers' rhymes.[citation needed] An original form of dance called breakdancing, which later became associated with popping, locking and other dance moves, that was done to the accompaniment of hip hop songs played on boom containers and particular styles of hip hop dress and scalp also developed.

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Art historian Robert Farris Thompson identifies the children from the South Bronx in the first 1970s as "English-speaking blacks from Barbados" like Grandmaster Flash, "black Jamaicans" like DJ Kool Herc who presented the rhythms from Salsa (music), as well as Afro conga and bongo drums, as well as many who emulated the noises of Tito Puente and Willie Col?n. These youths blended these influences with existing musical styles associated with African Us citizens prior to the 1970s, from jazz to funk .[1] Hiphop music became popular beyond the African-American community in the later 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate referred to the hiphop activity as "the sole avant-garde still around, still delivering [a] surprise" of newness to the prosperous bourgeoisie.[17] Ronald Savage, known by the nickname Bee-Stinger, who was a former person in the Zulu Country, carved the word "Six components of the Hip Hop Motion". The "Six Components of the HIPHOP Motion" are: Awareness Awareness, Civil Protection under the law Awareness, Activism Recognition, Justice, Political Recognition, and Community Consciousness in music. Ronald Savage is recognized as the Son on the Hip Hop Activity. Hip MAY BE THE Culture and Hop is The Movement[18][19][20]Hip hop culture has pass on to both urban and suburban communities throughout america and subsequently the planet.[21] These elements were adapted and developed noticeably, especially as the artwork forms spread to new continents and merged with local styles in the 1990s and following decades. Even while the movement is constantly on the expand internationally and explore myriad styles and art work forms, including hiphop theater and hiphop film, the four foundational elements provide coherence and a solid foundation for hip hop culture.[4] Hiphop is simultaneously a fresh and old sensation; the value of sampling monitors, beats and basslines from old information to the art form means that much of the culture has revolved around the idea of updating traditional recordings, behaviour, and experience for modern viewers. Sampling aged culture and re-using it in a new context or a fresh format is called "flipping" in hip hop culture. Hiphop music practices in the footsteps of early on African-American-rooted musical styles such as blues, jazz, rag-time, funk, and disco to be one of the very most practiced genres worldwide. Inside the 2000s, with the surge of new press platforms and Web 2 2.0, lovers discovered and downloaded or streamed hiphop music through sociable networking sites (SNS) beginning with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.

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